Lucien Ballard
About
Biography
Filmography
Family & Companions
Biography
Highly distinguished and versatile cinematographer of several black-and-white classics who began his career as a cutter and assistant cameraman with Paramount. After working as secondary photographer of both "Morocco" (1930) and as co-cinematographer with Von Sternberg on "The Devil Is a Woman" (1935), Ballard was moved to the front ranks for the third of his four collaborations with Josef von Sternberg, "Crime and Punishment" (1935) and then worked on numerous second-echelon Columbia films during the late 1930s and early 40s. He came into his own as an acclaimed black-and-white cinematographer with Stanley Kubrick's "The Killing" (1956) and as a specialist in lush, outdoor color photography for the action and Western films of Henry Hathaway, Sam Peckinpah and Budd Boetticher with whom he worked multiple times. He lensed several films starring Merle Oberon, to whom he was married from 1945 to 1949.
Filmography
Cinematography (Feature Film)
Film Production - Main (Feature Film)
Life Events
1929
Worked as roustabout, doing physical labor on Clara Bow film, "Dangerous Curves"
1929
Joined Paramount as cutter and assistant cameraman
1930
Did additional photography on "Morocco"
1935
First film as solo director of photography, "Crime and Punishment"
1962
First TV film as cinematographer, "Six-Gun Law"